"Street Film: Part One" is a metaphor for modern post-industrial life.

Time-lapse imagery, an Omega watch, a cigarette, single frames, the human hand, personal writings, a soprano saxophone in images and sound, a mirrored self-portrait in motion with the camera, Street Film Part 17 feels like a summary of everything Fulton in three minutes.

Part 14 in the Street Film series.

The final part in the core Street Film series.

A cascading tapestry of sight and sound, rejecting nothing, clinging to nothing, saturating and ultimately defeating the discriminating mind, until unstructured primary space begins to unfold within the viewer.

当地的花心大萝卜Sieng被他心爱的Baikhao甩了，而Baikhao即将结婚。Sieng试图阻止这场让他心碎的婚礼，但没有成功。他还尝试自杀，也悲惨地失败了。与此同时，Pong和他的父亲抗争，并成功开了一家便利店。Jalod和他的妻子Kru Kaew生活幸福，而Herb在他妻子……的时候不得不承担所有家务。

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The Street Film series is one of Fulton’s greatest experimental undertakings, challenging viewers to look beyond their preconceptions of filmmaking’s basic tools for conveying time and perceiving image. “Street Film 10 and 5” doesn’t resemble “Street Film 10” or “Street Film 5” (which was used for Street Film Part Zero Reel 5)

“Street Film 10 and 5” doesn’t resemble “Street Film 10” or “Street Film 5” (which was used for Street Film Part Zero Reel 5)

Jiro, a freelancer working at a delivery pizza shop, witnesses the brilliant killing techniques of professional assassin Nejime at a gangster's office where he makes deliveries. Jiro rescues the wounded Nejime and volunteers to become his apprentice. From that day on, Jiro learns the art of killing in a dog eats dog world.